Thursday, May 28, 2020

Double Negatives Examples

Double Negatives Examples Double Negatives The term double negative is used to refer to the use of two words of negation in a single statement. These two negative elements typically cancel each other out, making the statement positive. Typically, a double negative is formed by using "not" with a verb, and also using a negative pronoun or adverb. Sometimes the speaker wants to produce a negative statement, but the effect is to produce a positive statement-the two negatives "cancel" each other. It is considered incorrect to use a double negative. However, there are some instances when a double negative may be appropriate. Examples of Double Negatives: 1. I don't want nothing. (If you don't want "nothing," you must want "something.") 2. She didn't see nothing. (If she didn't see "nothing," she must have seen "something.") 3. He is not unattractive. (This might be a time when a double negative is needed-the person doesn't want to say he is "attractive," but also doesn't want to say he's not "attractive".) 4. I did not know neither the date nor the month. (If you did not know neither of them, then you must know both of them.) 5. I am not uncaring. (This might be a time when a double negative is needed-"I" doesn't want to say that he cares, but also doesn't want to say he doesn't care. Examples of Double Negatives in Literature 1. Shakespeare's Twelfth Night uses a triple negatives in the following line: "And that no woman has nor never none Shall mistress of it be, save I alone". 2. Chaucer makes use of double negatives to describe characters, such as the Friar, in The Canterbury Tales: "There never was no man nowhere so virtuous." 3. Douglas Adams in The Hitchhikers' Guide to the Galaxy: "plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea."

Wednesday, May 6, 2020

Marketing Analysis Brand Community - 1487 Words

A structured set of people from different geographical background with the craving for a particular brand or product is termed as brand community. In the past people were categorised by their occupation, religion, language and ethnic backgrounds, whereas at present people are distinguished by what they buy and what they are capable of buying. The market must be analysed to strategic brand management due to the dynamics of consumption, individualization as well satisfy collective identity of brand community. Ethnography no longer differentiates people who have a predilection for a brand in common. The brand communities’ exhibits shared sense of responsibility in brand building apart from the marketing strategies initially made by the†¦show more content†¦Content: The dawn of 20th century is the initiation of production of goods and services which were consumer focussed, instead of the usual trend of mass production. Due to economic growth and diversified consumerism, there arises a need for the manufacturers to give additional products of to the market for their survival while still retaining their so called â€Å"BRAND† name. Knowledge of the brand communities assists manufacturers preceding the launch of new products so as to retain the positive attitude towards the product and brand as a whole. The influence of brand has grown to the extent that even in accounting there is value allotted for intangibles like goodwill of a company, which mostly contributes to the brand name. Consumers are happy to pay more to get more sophisticated products to blend in the community than left aloof. More brand oriented groups are evident; credit goes to the social media which is prevalent and influential around the globe and contributes to the growin g consumer base of reputed brands like Apple, Microsoft, Harvey Davidson motorcycle, etc. (Stratton Northcote, 2014) Communities form around brand instead of symbol around community, imparting an implication and understanding between brand owner and consumers. The brand community also depend on symbolic construction; fantasy literatures; support for sporting teams; to indicate few of

Tuesday, May 5, 2020

Model Styles of Impressionism-Free-Samples-Myassignmenthelp.com

Question: How are the modern styles you studied this week descended from Impressionism? How might these styles also be seen as reactions against Impressionism? Answer: Impressionism It could be described as an art which belongs to 19th century art movement consists of small, thin, open composition, prominence on accurate depiction of light in its changing qualities and inclusion of movement as crucial part of human perception and visual signs. It is an accurate depiction of light and effect of passing time. This art is also called art raised from the historical time when people were unaware of paint brush art. Modern styles descended from Impressionism Now a days, people are more inclined towards using paints, calling their creative images and their art work as painting. Modern styles is completely based on human perception and visual signs which artist used to portray their own styles through colors and arts. It is observed that painting and other dynamic animated or effectual art has strong foundation which come from the use of impressionism in work. There are several intents of impressionism such as uses of small, thin yet visible brush strokes and open composition starts from the impressionism which makes artist painting realistic and alive (Granshaw, 2015). These styles also be seen as reactions against Impressionism There are several new art and model styles of impressionism which reduce peoples likeness and wants towards old painting styles and historical art design. However, new styles of painting and arts based on 3 D effects, use of light effect and embrace the modernity in it with the later avant- grade and other arts have strong replica of impressionism in their styles (Rodriguez, 2016). References Granshaw, S. I. (2015). Imaging Technology 14302015: Old Masters to Mass Photogrammetry.The Photogrammetric Record,30(151), 255-260. Rodriguez, M. M. (2016). Draw It Out First: Early Animation as an Influence of Avant-Garde Cinema and Experimental Film.Film Matters,7(1), 19-24.